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RPPW10: overview of contributions
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| abstract | Nozomi Azechi | |
Twinkle Twinkle, Little Star in Japanese and in English: The influence of mother tongue on young children's musical behaviour
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| abstract | John Bispham & Ian Cross | |
Homo sapiens sapiens: The rhythmic species?!?
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| abstract | Yann Cojan | |
Processes involved in finger tapping task : a behavioural and electrophysiological study
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| abstract | Nick Collins & Ian Cross | presentation (.pdf) |
Beat tracking and reaction time
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| abstract | Andrei Covaciu-Pogorilowski | presentation (.pdf) |
The perceptual notation of musical time
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| abstract | Fred Cummins & Juraj Simko | presentation (.pdf) |
Repetitive synchronous imitation as a tool for investigating speech timing
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| abstract | Sofia Dahl & Guy Madison | presentation (.pdf) |
Comparing perception and production of continuous tempo change
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| abstract | Mark Delaere | |
The polytopic clockwork. Tempo relationships and metric modulation in contemporary music
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| abstract | Peter Desain, Luke Windsor & Amandine Penel | |
Dissecting expression into structural components.
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| abstract | Douglas Eck | |
Autocorrelation and meter
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| abstract | Timo Fischer & Manfred Nusseck | |
Anticipatory timing precision in synchronization tapping: A matter of attention
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| abstract | Marek Franek | |
Memory interference affects precision of tempo doubling and halving
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| abstract | Rolf Inge Godøy | |
Gesture-units and coarticulated rhythmical chunks
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| abstract | Fabien Gouyon, Gerhard Widmer & Xavier Serra | |
Acoustic cues to beat induction: A machine learning perspective
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| abstract | Simon Grondin, Marilyn Plourde & Martin Roy | presentation (.ppt) |
Discrimination of time intervals presented in sequences marked by auditory signals delivered from different spatial sources
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| abstract | Dietmar Grube | |
Influences of working memory and expert knowledge on immediate reproduction of metric and nonmetric rhythm patterns
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| abstract | Anne Guillaume, Marie Rivenez, Lionel Pellieux, Claude Blancard, Véronique Chastres & Carolyn Drake | |
Role of rhythmic structure in the identification of environmental sounds
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| abstract | Tommi Himberg | |
Cognitive foundation of musical interaction – Exploring cooperative tapping
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| abstract | Henkjan Honing | paper (.pdf) |
Does the timing sound right to you?
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| abstract | Peter Howell | |
Some tests of the EXPLAN account of serial speech performance.
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| abstract | Peter Keller, Iring Koch | |
The planning and execution of short auditory sequences
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| abstract | Ralf Krampe | |
Timing and dual-task performance: The effects of age and skill
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| abstract | Jacques LaRue | |
Evidence of two separated processes in the production of hand/foot simultaneous responses
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| abstract | Nyssim Lefford | presentation (.ppt) |
The structure, perception and generation of musical patterns
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| abstract | Marc Leman | |
Attuning and empathy with music – corporeal understanding of musical intentions
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| abstract | Kevin Lucas, Hui-Ya Chen & Alan M. Wing | |
Classification of responses to metronome phase shift during synchronized stepping
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| abstract | Geoff Luck & Petri Toiviainen | |
Expert ensemble musicians’ synchronization with expert conductors’ gestures
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| abstract | Guy Madison | |
Human sensorimotor tracking across a wide range of temporal intervals and local perturbations of these intervals
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| abstract | Fernando Martin-Pastor | |
‘Composing with time and sets’: E. Carter’s Riconoscenza per Goffredo Petrassi
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| abstract | João Martins & Eduardo R. Miranda | |
Societies of rhythmic agents: The synchronization problem and neural representation of rhythm
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| abstract | Carolyn McGettigan | |
Adaptation to noise-vocoded speech – The role of rhythm
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| abstract | Martin McKinney & Dirk Moelants | |
Ambiguity in tempo perception: What draws listeners to different metrical levels?
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| abstract | Ryota Miyauchi & Yoshitaka Nakajima | presentation (.pdf) |
The category of 1:1 ratio caused by assimilations of two neighbouring empty time intervals
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| abstract | Yoshitaka Nakajima, Wang He, Kazuo Ueda & Takayuki Sasaki | |
Perceptual organization of onsets and offsets in speech
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| abstract | Takayuki Nakata, Sandra E. Trehub, Chisato Mitani, Yukihiko Kanda, Hidetaka Kumagami, Kenji Takasaki & Haruo Takahashi | presentation (.ppt) |
Good rhythm production by deaf children with cochlear implants
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| abstract | Christiane Neuhaus & Thomas R. Knösche | poster (.doc) |
Rhythmic and melodic Gestalt processing in non-musicians measured with ERP (event-related brain potentials)
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| abstract | Sile O’Modhrain | |
Movement-based interaction with hand held devices
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| abstract | Daniel Oberfeld | poster (.pdf) |
Effects of rhythmic attention on perceptual weights in multiple observation tasks
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| abstract | Katie Overy | |
Developing auditory and motor musical timing tests for young children
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| abstract | George Papadelis | |
Comparative analysis for category goodness-rating vs.discrimination sensitivity of musical rhythm patterns using Signal Detection Theory
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| abstract | Amandine Penel, Christopher A. Hollweg & Carlos D. Brody | presentation (.ppt) |
Development of a visuospatial representation method and evidence for rhythmic categorical perception
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| abstract | Peter Pfordresher & Brian Benitez | presentation (.pdf) |
Timing relationships between actions and sound in music performance
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| abstract | Jonathan Platkiewicz | |
Extending the Haken Kelso Bunz model at the collective level, focussing on the phenomenon of rhythmic applause
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| abstract | Edita Poljac, Peter Desain & Harold Bekkering | |
The benefit of task rhythm for switching and interruption performance
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| abstract | Hugo Quené | |
On the Just Noticeable Difference for tempo in speech
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| abstract | Sam Rédelé | |
The impact of timing variations on perceived basic emotions
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| abstract | Bruno Repp | |
Does an auditory distractor sequence affect self-paced tapping?
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| abstract | Makiko Sadakata & Peter Desain | presentation (.ppt) |
Cross-cultural study of rhythm perception and production
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| abstract | Hans-Henning Schulze | presentation (.ppt) |
Detectability of uneven rhythms
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| abstract | Sophie Scott, Hideki Takaso & Richard Wise | |
PET studies of speech production – roles for auditory cortex in the control of timing and delayed auditory feedback
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| abstract | Natalia Skvortsova | |
A statistic model of the distribution of rhythmic segments in the Tofalar traditional songs
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| abstract | Joel S. Snyder, Erin E. Hannon, Edward W. Large & Morten H. Christiansen | presentation (.ppt) |
Synchronization and continuation tapping to complex meters
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| abstract | Frederik Styns, Leon van Noorden, Marc Leman & Dirk Moelants | |
Measuring embodied musical movement
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| abstract | Jeffery Summers, Sabrina Maeder & Cynthia Hiraga | presentation (.ppt) |
Coordination dynamics and attentional costs of continuous and discontinuous
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| abstract | Gert ten Hoopen, Takayuki Sasaki & Yoshitaka Nakajima | |
Time-shrinking and categorical temporal ratio perception: Evidence for a 1:1 temporal category.
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| abstract | Neil Todd | |
On the neurobiology of beat induction: sensorimotor and drive mechanisms
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| abstract | Martine Turgeon, Lawrence Taylor & Alan Wing | presentation (.ppt) |
An exploration of timing abilities from nineteen to ninety
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| abstract | Jan Vandenheede | |
New practical means that may help in dealing with very difficult rhythms.
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| abstract | Anja Volk | |
Describing the interactions between rhythmic motives and their metrical context
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| abstract | Dirk Vorberg | presentation (.pdf) |
Synchronization in duet performance
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| abstract | Carl H. Waadeland | presentation (.ppt) |
Spectral properties of rhythm performance
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| abstract | Alan Wing | |
Subdivision of the beat
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